Universality and diversity in human song
Samuel A. Mehr, Manvir Singh, D. Knox, Daniel M. Ketter, Daniel Pickens-Jones, S. Atwood, Christophe Lucas, Nori Jacoby, Alena Egner, Erin J. Hopkins, Rhea M. Howard, Joshua K. Hartshorne, M. Jennings, Jan Simson, C. Bainbridge, S. Pinker, T. O’Donnell, Max M. Krasnow, Luke Glowacki
Science
Abstract
What is universal about music across human societies, and what varies? We built a corpus of ethnographic text on musical behavior from a representative sample of the world’s societies and a discography of audio recordings of the music itself. The ethnographic corpus reveals that music appears in every society observed; that variation in musical behavior is well-characterized by three dimensions, which capture the formality, arousal, and religiosity of song events; that musical behavior varies more within societies than across societies on these dimensions; and that music is regularly associated with behavioral contexts such as infant care, healing, dance, and love. The discography, analyzed through four representations (machine summaries, listener ratings, expert annotations, expert transcriptions), revealed that identifiable acoustic features of songs predict their primary behavioral function worldwide, and that these features fall along two dimensions, melodic and rhythmic complexity. These analyses show how applying the tools of computational social science to rich bodies of humanistic data can reveal both universal features and patterns of variability in culture, addressing longstanding debates about each.